brands
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JEAN COLONNA
Selection of pieces by our favorite French grunge deconstructionist – the highly under-appreciated designer Jean Colonna with his collections in pleather, machine-made lace, machine-sewn sequins and floral prints. This short-lived brand holds a very special place in our heart; no one merges rebellious spirit with minimalist fashion more beautifully and less pretentiously. Most of Colonna pieces we ultimately choose to keep, offering them for rentals only. It is rare to find them for purchase; very few were produced to begin with as over time, Jean Colonna has remained somewhat enigmatic figure, stepping away from the spotlight of the fashion industry.


ANTEPRIMA
Born and raised in Tokyo, Izumi Ogino founded Anteprima in 1993 in Milan and made her debut at Milan Fashion Week five years later as the first-ever Japanese female designer. In 1998 she conceived Anteprima’s iconic creation — the Wirebag, which grew out of Izumi’s passion for knitting. A granny-like hobby fruited in baby-style accessories. The hand-knitted method Izumi created twists in the material in a way that causes light to reflect, giving a blinding shine. We’ve heard that all Anteprima boutiques are strategically located in places with large windows and direct access to sunlight so the sun can stream through the large, windowed facades, causing the Wirebags in the display to sparkle and blind the onlookers. Izumi says, “I think many people are looking for light in today’s dark world.” Oh well… there might be better sources of light, and the darkness is often inevitable, but still Anteprima remains the cutest brand in the world.
PRADA and MIU MIU
What could be said about two of the most famous brands in the world? With Miuccia Prada’s obvious artistic background, she creates fashion that radiate pure elegance without trying to be art itself. We are utterly exhausted by the concept of wearable art. Her fashion speaks to those who appreciate art but look for clothing that is elegant and well crafted, rather than making a bold artistic statement. The balance of creativity and humor in her work is perfectly measured — never excessive, never lacking. And almost without fail, it’s flawless.


zucca
Akira Onozuka, founder of Zucca, learned his skills at Miyake Design Studios in Tokyo and Paris under the mentorship of Issey Miyake himself. The influence is evident but Onozuka’s designs are much calmer, more understated and funnier. What made us fall in love with the brand is the concept of their Zucca Travail line, inspired by work clothes, uniforms and sportswear, described as “workwear for the inactive.” It’s also a great watch brand (rare phenomenon), thanks to their longstanding collaboration with Seiko.
Kawa Kawa
Kawa Kawa doesn’t have any particularly interesting history; it’s simply a Japanese brand obsessed with meticulous craftsmanship and making some elements of their designs proportionally too big — extra large buttons, extra large zippers, extra large closures. Sometimes, they go for complete simplicity, but they still lean into avant-garde with unconventional alterations. One of the very few minimalist brands we actually appreciate, as when you look closely enough, you’ll see traces of tacky extravagance.


Louis Vuitton
We are very interested in brands that have been around for hundreds of years and weren’t originally fashion. With all its complexities and, unfortunately, dark histories – Louis Vuitton is one of them. At first glance, it doesn’t seem to fit our selection — but the brand’s original purpose, box-making and crafting high-quality travel trunks, absolutely does. The LV flat trunk design was revolutionary back in the early 20th century because it was easily stackable in railway cars, making it ideal for the new era of rail and ocean travel. This durability was achieved thanks to wooden frames and waterproof canvas. Years later, Marc Jacobs handed over the same iconic canvas to collaborating artists who weirdly didn’t match the brand’s identity, creating an awkward but cool clash. We’re not going to cater to you with runway pieces here. Instead, we’ll focus on everything OG trunk-inspired (key locks, clasps, latches), brand ephemera, modest clothing, and rare accessories.
Mihara Yasuhiro
We’re not the biggest fans of conceptual fashion or iconic wearable art. Yasuhiro’s work falls into these categories and can often feel a little over the top. However, sometimes his designs make us want to keep them forever even if they don’t fit, just to look at them once in a while. This applies especially to footwear, which is a cornerstone of our Yasuhiro collection and was the starting point for the brand back in 1997 in Tokyo. At the time, his designs were unlike anything else on the market. Mihara is deeply influenced by the philosophy of imperfection, a concept that is evident in his work and something we don’t mind at all.


5351 Pour Les Femmes
Many of you are familiar with the Japanese love for all things French. Here is yet another brand with a French name which originated as a sub-label of the main line 5351 Pour Les Hommes. The lead designer for the women’s line is Rei Takahashi. He cites Yamamoto and Kawakubo as his role models, which is evident in his designs but they are stripped-down of big avant-garde gestures. To put it more precisely, the style of 5351 is a fusion of 1920s and 1930s with a rock-chick vibe set against the backdrop of a Parisian café in Tokyo.
HISTOIRE DE VOIR
Histoire de Voir is the only eyewear brand we consistently offer in Archive Club. A quiet constant in our ever-evolving selection. Though it has existed for decades, the brand has kept it’s quiet, niche, and purposefully low key charm. With no ties to mass-market its production remains entirely handmade in Paris. Founded in 1993 by artisan optician-designer Stéphane Sarnin, HdV became the first and for a long time, the only brand in the world to craft eyewear from leather. It still remains a rarity: wearing a pair is like slipping a leather handbag across your face. Its feels great!
